Discover the Pioneering Couple Behind Chicago’s Exclusive South Asian Art Institute

Summary of the Article

  1. Introduction to Shireen and Afzal’s Journey: Explore how the couple transitioned their personal art collection into a cultural hub.
  2. Establishing the South Asia Institute: Understand the purpose behind opening the South Asia Institute and its impact on the community.
  3. Exhibitions and Cultural Representation: Highlight the exhibitions featuring South Asian art and the diverse cultural narratives they present.

When they first met, he had generic prints on the walls of his bachelor pad. She didn’t like it.

Shireen and Afzal Ahmad eventually replaced those generic prints with beautiful paintings they found on trips home to Pakistan, where they began to befriend a number of artists. At the time, they didn’t know they were beginning a collection that would grow into the foundation of a South Asian cultural center in one of the most diverse cities in the United States.

After retiring from decades-long medical careers in Chicago, the pair have chosen not to sit still. Instead, they have poured their time — and their personal art collection — into the South Asia Institute, a hub for South Asian art, culture, and literature that opened at the end of 2019.

The South Asia Institute has brought the couple’s collection to a historic building in the heart of Chicago’s historic Motor Row district. Through curated exhibits, special events, and educational programs, the South Asia Institute aims to elevate the work of South Asian artists while using art to break down cultural barriers.

“It’s what we grew up with as immigrants,” Shireen Ahmad, a former professor of anesthesiology at Northwestern University said. “We didn’t identify with European art.”

The couple also had no intention of spending their retirement doing nothing. “This is our relaxation,” Afzal Ahmad said. “We didn’t want to sit around after our retirement.”

After spending more than four decades in ophthalmology, he sees the South Asia Institute as a new job, one that allows him and his wife to do very different work and share a beloved art collection with the world. For him, it’s also a way to show there may be more to South Asian immigrant communities than western culture tends to acknowledge.

The Best Museums in the World

People often expect model minority behavior and overlook the multidimensional aspects of immigrant life, he said. “We’re just two-dimensional people in their eyes,” Afzal continued. “But we do different things just like any other community does.”

A recent exhibit at the South Asia Institute provided a walk-through the life of acclaimed Indian musician Ravi Shankar, and a future exhibit will highlight the work of Pakistani sculptor Amin Gulgee.

Head upstairs to an event space and you’ll find several paintings that formerly hung in the Ahmad home. “It’s a very personal collection. Ninety percent of these works [have] been on the walls in our home,” Shireen said.

However, eventually, the collection outgrew their home and filled every inch of their storage space.

“We ended up with several [storage] rooms,” Shireen said. “That’s when you begin to realize that it’s really a little more than just a small collection, you know, to enjoy on your walls.”

While several museums in the U.S. have permanent collections of South Asian art, very few spaces exist that are dedicated solely to South Asian art and culture.

“There is very little exposure to South Asian art in mainstream museums,” Shireen said.

The Metropolitan Museum of Art in New York has a collection of thousands of pieces from India, Pakistan, Bangladesh, Sri Lanka, and Nepal. The Rubin Museum in New York focuses its efforts on Himalayan art with a collection of more than 3,400 pieces spanning 1,500 years of Tibetan, Indian, Pakistani, Afghan, Chinese, and Nepalese history.

Consequently, thanks in large part to the Ahmads, there is the South Asia Institute, which is only just beginning to gain momentum.

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