Understanding Sacred Geometry: The Universal Language of Patterns

Dana Awartani: A Rising Star in Saudi Art

Understanding Sacred Geometry

Dana Awartani is emerging as a prominent figure in the Saudi art scene, celebrated for her innovative approach to “sacred geometry”—a method that employs geometric patterns to articulate devotion and spirituality.

She perceives sacred geometry as a universal language, one that unites diverse faiths and cultures. This concept is visually represented in her installation titled “Orientalism,” where viewers are initially confronted with what seems to be a completely dark space. However, upon closer inspection, the room bursts forth with vibrant colors, symbolizing the importance of engaging intimately with various cultures.

The Creative Process

Dana Awartani hand draws and paints her pieces in her studio in Jeddah, often working 15-hour days on pieces that take weeks to complete.
Awartani hand draws and paints her pieces in her studio in Jeddah, often working 15-hour days on pieces that take weeks to complete.

At just 29 years of age, Awartani has already showcased her work at prestigious events and biennales globally, sharing the stage with acclaimed artists like Anish Kapoor and Yoko Ono. This level of exposure highlights her unique talent and dedication.

Innovative Materials

The artist is also fond of using shells to hold her paint, sometimes sneaking them out of restaurants.
The artist is also fond of using shells to hold her paint, sometimes sneaking them out of restaurants.

Furthermore, Awartani creatively utilizes unconventional materials in her artwork. For instance, she often employs shells as paint holders, revealing her resourcefulness and connection to nature.

Numbers and Patterns

Numbers are often incorporated into the patterns and codes of sacred geometry, as with this Awartani piece.
Numbers are often incorporated into the patterns and codes of sacred geometry, as with this Awartani piece.

Moreover, her artwork frequently integrates numbers into the intricate designs of sacred geometry. This aspect enhances the depth and symbolism of her pieces, providing viewers with a multi-layered experience.

Conclusion

Dana Awartani’s artistry encapsulates an intersection of spirituality and cultural dialogue through sacred geometry. Her meticulous process and innovative approach not only contribute to the growing Saudi art scene but also foster a greater understanding of our shared human experience.


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