Exploring the Extraordinary Soviet Bus Shelters Through the Lens of Christopher Herwig
Canadian photographer Christopher Herwig has dedicated nearly 15 years to documenting the fascinating bus shelters of the old Soviet Union. His journey through 14 countries or territories has yielded over 8,000 photographs showcasing at least 1,000 unique bus shelters that reflect a rich cultural tapestry and a mix of artistic expressions.
The Artistic Journey Begins
Herwig’s project commenced in 2002 during a cycle ride from London to St. Petersburg, Russia. With a commitment to viewing the ordinary as extraordinary, he developed a set of rules to appreciate everyday items such as clothes lines, power lines, mailboxes, and of course, bus stops.
A Celebration of Creativity
Herwig’s fascination grew as he entered the former Soviet states, where bus shelters often transformed into whimsical art installations. These structures, while functional, embraced creativity in surprising ways. According to Herwig, “Typically the ones I really like are often in the middle of nowhere that make you think, why is there even a bus stop here?”
The Unique Designs
Among his favorites, many striking designs emerge from the disputed region of Abkhazia. Renowned artist Zurab Tsereteli’s creations often lack conventional features like roofs, as he once stated, “A roof! I don’t care if there’s a roof! I’m an artist.” This artistic defiance highlights a unique vision that prioritizes creativity over functionality.
Cultural Connections
Herwig’s documentation also reveals social aspects around these remote bus stops. While some shelters show signs of neglect or misuse, others create spaces for unexpected social interactions. He notes, “I spotted beer bottles around one. Someone from somewhere has been visiting it and having a drink, which is intriguing. It’s not like anyone’s walking there, so maybe they were driving along and it’s a nice place for a break.”
Challenges During the Journey
Throughout his travels, many locals have expressed skepticism about his project, sometimes viewing it as mockery. Herwig, however, continues to convey the genuine beauty and creativity represented by these shelters. “I would try to explain that my motives were actually quite genuine and that I thought this was a fairly positive part of history and quite beautiful and quite creative,” he explains.
The Legacy of Soviet Bus Shelters
While the popularity of Soviet-style bus stops may have diminished, some designers, like Armen Sardarov, continue to innovate. Sardarov, who has designed hundreds of bus shelters since the 1970s, remains active today, melding traditional art with contemporary influences.
Conclusion: A Journey Worth Capturing
Herwig’s photography captures not just bus shelters but an entire era of creativity, illustrating how everyday structures can embrace artistry and reflect cultural heritage. His work serves as a reminder of the beauty found in overlooked places, sparking curiosity and appreciation for the creativity inherent in human expression.
